The Kid

the kid

Amidst a sea of personal and professional struggles, Charlie Chaplin created his ‘six reels of joy’ —The Kid 1921. The long-awaited film was spectacularly received, and, as Chaplin’s first full-length feature, is also remembered as his first directorial masterpiece.  Viewers flocked, and the Little Trampa  cinematic icon of hope and humour was truly born to the silver screen.

The Kid begins in a relatively sombre tone, quite unlike anything Chaplin has ever done before.  A young woman and her infant son leave a county hospital;  ‘alone’  —the title card reads. She places the child in a luxurious automobile,  hoping that its owner will provide for the child what she cannot possibly offer.  In a surprising turn of events, the car  is stolen by a pack of thieves,who, upon discovering the curious entity of a baby, dumps it by a stack of rubbish.  Rather reluctantly (and very understandably so)  it is a familiar  face  —the Tramp—  who ends up caring for the child.

We then skip to five years later. At first glance, the kid, (who was promptly named John) has become a son to the Tramp. Like a conventional father, our hero combs his little boy’s hair, cleans his ears, and makes him a hearty breakfast of pancakes and syrup. However, it soon becomes apparent that the kid is very much an equal to the tramp      —they are partners (and, more often than not, in minor crime to boot). Whether they are stealing back quarters from the gas meter, or breaking and fixing windows together to earn a living,  Charlie and Jack make a most magnificent pair.

As John, the little Jackie Coogan (and future Uncle Fester, can you believe it?) is pretty perfect. At the tender age of five, he is like a pint-size beacon of nonchalant humour and sweet tenderness; in short, a mirror of all the qualities which we love in Chaplin’s Tramp. In his first cinematic role, Coogan captured the hearts of a global audience, and arguably became the first child star of the big silver screen.

What struck me throughout this viewing was the effortless modernity The Kid. It’s an almost paradoxical phenomenon: everything from the writing to the acting style is subtly familiar to the contemporary viewer, and yet, the film retains that long-lost romanticism which the great classics have all embodied.

kid

One such example is the scene in which the young woman unknowingly sits on the same step as her son. The two converse amicably, and the woman is poignantly reminded of the child whom she so wants to see again. As they sit silently together, the picture painted is one of heartbreaking irony and powerful pathos. Both do not know the identity of the other, and the result is a wonderful composition, full of drama and quiet intensity.

In what is undoubtedly a film about the relationship between the Tramp and the Kid, the great sympathy awarded to the young woman is almost surprising. Through what seem to be apparently ordinary interactions, Chaplin, Coogan and Purviance evoke great emotions from the audience. We grow to love each of these characters, and the ending of The Kid, one of optimism and poetic satisfaction, is a particularly special one.

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7 Comments

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    1. Hi Kieran,
      Chaplin’s films always have such a lovely blend of humour and pathos; I’m sure you’ll love them! It is a testament to his talents that many of his movies remain as relevant and endearing today as they did when they were first made more than 90 years ago!

      1. Wow, no-one’s called me Kieran on WordPress before so thank you for reading my About Page and for following me! T’is such a brilliant quality that films like this, and the Great Dictator which I will get round to watching in full at some point, still hold relevance. Yet I sometimes get weary over the fact that points made then still hold relevance over us, as if we’ve still yet to move on from nearly a century ago. But then I forget that and just appreciate these great films!

      2. You’re welcome :) Ahh yes, I do know what you mean about watching films communicating ideas that are not only relevant today, but that we should have grasped so many years ago. We just never learn, do we! :)

  1. On a rainy night in Carlton I wandered into my local movie house lovingly called the Bughouse and watched Chaplin in Modern Times, I would say it was a life changing moment, not only for his comic genius but for his understanding and compassion of social justice…………wonderful stuff thanks

    1. Wow, thank you for sharing such a powerful moment in your moviegoing experience. Yes, I often find that with any film that had a profound impact on me, I can still remember very clearly the night I first saw it, and that first wave of awe I felt after having seen a great movie.

      1. thanks the Bughouse was part of the then Carlton bohemia, it had no foyer, if wanted to smoke-those days you could smoke in the movie house-you had to step outside, nearby was an all night cafe Genevieve and not far was the Albion Hotel-where poets, writers, actors, junkies, music dudes, dope on tap….yes interesting times……….thanks for checking out my blog- i love dalton trumbo too…very impressive

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